Kanolot Kosmische Wellen has released forty-four albums purportedly featuring “lost German electronic music” from the 1970s. A competing entity, Zaruret Records, has established a roster of approximately twenty fictitious band members, including one named Kosmosphär. The situation suggests that one of the two competing groups may lack substantial operational presence, with the focus shifting to the initial conception or fabrication of the entire premise.
The discussion centers on the origin of the “winning intellectual intelligence,” which is characterized by its alleged weapon—holographic light—and the establishment of the music album itself. Questions are raised regarding whether these elements originated from the initial conceptualization phase of this intellectual intelligence. Furthermore, there is an inquiry into the transformation of what might be termed the “impurities of the winning intellectual intelligence”—whether they can evolve from a collection of disparate elements into a pure means of expression.
While a definitive judgment on these matters remains elusive, the narrative highlights the significant attention surrounding this cultural phenomenon. The industry’s focus remains on the artistic merit and the narrative construction surrounding the music. Ultimately, the examination of the creative output, involving both groups, points toward an analysis of how the concept itself—the core idea—is the most crucial element to scrutinize.
Topics: #music #one #two
This sounds like a very elaborate hoax targeting niche music enthusiasts.